Yinka Shonibare/ Nelson's Ship in a Bottle
       
     
 Commissioned for Trafalgar Square 4th Plinth, now on permanent display at The National Maritime Museum, Greenwich.
       
     
Fabio Lattanzi Antinori / Fortune Tellers
       
     
       
     
JAMES BULLEY/ OTHELLO SUITE
       
     
JAMES BULLEY/ TACTUS
       
     
       
     
Arif Ozakca
       
     
arif ozacka faye mcnulty.jpg
       
     
       
     
The Foundling Museum/ Threads of Feeling exhibition
       
     
 Working with The Foundling Museum, images of Florella’s fabric were used to recreate it into lengths of repeat. From the tiny sample to create 30 metres of hand-printed cotton which featured in the exhibition as a series of 18th Century garments and was available to purchase from the museum shop.
       
     
       
     
Sonia Boyce/ Like Love
       
     
sonia_like_love.jpg
       
     
Counter Feat Art Notes
       
     
  The limited edition ‘art notes’ were created by: Pat Albeck, Will Broome, Sarah Campbell, Holly Fulton, Hemingway Design, Eley Kishimoto, Zandra Rhodes, Heikki Salonen, Jonathan Saunders and Bill Woodrow. Also sponsors London Print Studio and John Purcell Papers
       
     
Yinka Shonibare/ Nelson's Ship in a Bottle
       
     
Yinka Shonibare/ Nelson's Ship in a Bottle

Lead printmaker to create the hand printed 41 metres of fabric used as sails on Nelson’s Ship in a Bottle by Yinka Shonibare MBE. 

The ship is a 1:30 replica of Nelson’s flagship, HMS Victory, on which he died during the Battle of Trafalgar on 21 October 1805.

 Commissioned for Trafalgar Square 4th Plinth, now on permanent display at The National Maritime Museum, Greenwich.
       
     

Commissioned for Trafalgar Square 4th Plinth, now on permanent display at The National Maritime Museum, Greenwich.

Fabio Lattanzi Antinori / Fortune Tellers
       
     
Fabio Lattanzi Antinori / Fortune Tellers

Fortune Tellers. Installation View at MoCA Shanghai Pavilion September to October 2016

Screenprint on neoprene, extruded aluminium, electronics, custom boxes, microcontrollers, speakers, 3 channels, voices sopranos, forecasts of the Shanghai Stock Exchange obtained through proprietary algorithms and astral chart, code.

 

       
     

Fortune Tellers at MoCA Shanghai Pavilion

JAMES BULLEY/ OTHELLO SUITE
       
     
JAMES BULLEY/ OTHELLO SUITE

Pianola roll screen printed with Gum Arabic.

Paccar Room, Royal Shakespeare Theatre, Stratford-upon-Avon, UK. 
(19 March — 18 September 2016)

Commissioned by the Royal Shakespeare Company

Sound installation exploring the performative aspect of Othello's final speech through the work of Samuel Coleridge-Taylor and Paul Robeson.

JAMES BULLEY/ TACTUS
       
     
JAMES BULLEY/ TACTUS

Print technique development and final piece printing for the newest installation of Bulley's Tactus series.

Kaunas Biennial, Mykolas Žilinskas Art Gallery, Lithuania
(18 September — 1 January 2016)

Commissioned by Crafts Council UK and developed as part of a Leverhulme Artist Residency at the Printworks Trust

       
     
JAMES BULLEY/ TACTUS
Arif Ozakca
       
     
Arif Ozakca
arif ozacka faye mcnulty.jpg
       
     
       
     
James Bulley/ Tactus - Score Study II

As part of James Bulley's residency at London Printworks Trust, Faye mentored and collaborated with James to develop the process of a textile print that would be durable and legible to a visually impaired audience.

The Foundling Museum/ Threads of Feeling exhibition
       
     
The Foundling Museum/ Threads of Feeling exhibition

Baby Florella was born June 19th, 1758. She was one of over 4000 children given up by their mothers between 1741 and 1760 to the Foundling hospital. A sample of cloth cut from her clothing or from her mothers was added to her record as future identification. Threads of Feeling is a new exhibition at the Foundling Museum documenting and exploring Florella’s fabric and numerous others, which today equates to one of the largest collections of 18th Century everyday textiles.

 Working with The Foundling Museum, images of Florella’s fabric were used to recreate it into lengths of repeat. From the tiny sample to create 30 metres of hand-printed cotton which featured in the exhibition as a series of 18th Century garments and was available to purchase from the museum shop.
       
     

Working with The Foundling Museum, images of Florella’s fabric were used to recreate it into lengths of repeat. From the tiny sample to create 30 metres of hand-printed cotton which featured in the exhibition as a series of 18th Century garments and was available to purchase from the museum shop.

       
     
Linda Florence/ Sugar Dance V&A

Support Technician

Sugar Dance as part of the exhibition programming of Out of the Ordinary : Spectacular Craft

This is one of three installations Faye supported - others being the cover of Crafts Magazine and an installation at Kaunas Textiles Biennial, Lithuania. 

Sonia Boyce/ Like Love
       
     
Sonia Boyce/ Like Love

Large-scale wallpaper screen printed for Boyce’s multi-media installations at the Bluecoat, Liverpool and Spike Island gallery, Bristol

Central to Boyce’s practice is the act of working with other people in what she terms “improvised collaborations”, and here the artist has taken extracts from conversations with young parents, creating a visual and textual dialogue that speaks equally of young desires and insecurities.

sonia_like_love.jpg
       
     
Counter Feat Art Notes
       
     
Counter Feat Art Notes

Lead printmaker on the production of limited edition paper screen printed notes.

Used as part of a fundraising scheme for London Printworks Trust.
Featured by Pop magazine, Vogue online and now part of the permanent Department of Coins and Medals collection of the British Museum 

  The limited edition ‘art notes’ were created by: Pat Albeck, Will Broome, Sarah Campbell, Holly Fulton, Hemingway Design, Eley Kishimoto, Zandra Rhodes, Heikki Salonen, Jonathan Saunders and Bill Woodrow. Also sponsors London Print Studio and John Purcell Papers
       
     

The limited edition ‘art notes’ were created by: Pat Albeck, Will Broome, Sarah Campbell, Holly Fulton, Hemingway Design, Eley Kishimoto, Zandra Rhodes, Heikki Salonen, Jonathan Saunders and Bill Woodrow. Also sponsors London Print Studio and John Purcell Papers